Experimentation and Discovery
I shared some studio time with a little friend, 4 year old Adie. As she began painting and mixing paint she turned to me and said, “Look! Yellow mixed with red makes orange! I didn’t know that!” This happened several times as she discovered green, purple, pink, gray, and the most exciting discovery: brown! She continued painting switching brushes, sometimes her using her fingers, and sometimes a brush in each hand at the same time. The task continued for about 90 minutes until the canvas was covered. Of course her hands, clothes, and areas of the studio got some share of paint, but it was fun to watch.
Kids have the capacity to engage in a task without considering what people might think. Kids are not creating because they want to please someone or to show off their abilities. They create because it flows from within. They create for the fun of it. Their minds are free from prejudice. Kids are not concentrated on a future sale or market value. They just create.
Do you remember the last time you engaged in an art project just for fun? When was the last time you experimented and discovered something new for your art? Experimentation leads to discovery. Engage in experimentation as kids do. I can’t stop saying this: Renew your love for what you do. Pretend you don’t know. Pretend it is your first time and enjoy it. Forget about production and time for a moment and just go with the flow of your creative process. Try something new. Watch a kid paint or sculpt. A kid follows imagination where it takes them. It is not about technique or perfection. They just flow with it. Expose yourself with the mind of a kid, experiment, and discover.

We have the capacity to decode the symbolic information we receive and develop our own views to explain what we see, feel, and understand. We give meaning to the world around us through the filter of our experiences and knowledge. Socially, in the meaning making process we examine multiple views, balance them with our own and form our conclusions. These conclusions are explained and could be categorized in assumptions, interpretations, and attributions.
The scene quickly switches when it comes to judging the behaviors or events involving others. When people act in a specific way we attribute that behavior to internal factors concerning personality or character traits like coping skills (or lack thereof), or attitude issues. Rarely we consider external attributes to be the cause for other’s behaviors like a difficult situation they might be going through.
What is your goal? What are you looking for? What is the motivation for what you are doing? What is the most important thing for you to obtain? Why am I asking all these questions?
The Discipline in The Discipline
Discipline is an interesting word. It describes a specialization within a field of practice. Think of physicians. Each of them specializes in specific conditions and treatments. Yes, they have to go through understanding pathophysiology or how diseases affect the natural functions of the human body. However, specializations allow them to understand specific functions related to specific parts of the body.
Then you have the discipline in the discipline. In every field of practice and every specialization within a field people have to continue working, practicing, sacrificing time, exercising, studying, and giving their all to maintain and improve the skills and abilities. When they thought they reached their degree or maximum capacity of their skills it is just the beginning. There is always something new to learn, there is always something that could be improved.
As aforementioned, discipline requires to practice certain activities. How does this look like for an artist? What exercises help artists get better at what they do? I would like to mention a few from my personal experience. Feel free to share some of your own. These are in no specific order and they don’t happen altogether in one day.
I could go on and on, but it would be great to hear about your practices.
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