What goes on in the mind of an artist?
That is one interesting question. Each day is different. I invite you to visit my mind when I am working with a sculpture. First, from the idea to the final product it is like time travel. I have to see it finished before I begin and it is a constant back and forward in this process. Form! I work with the human body. When I look at the naked figure I see forms. The structure of the body is complex but simple at the same time if you look at the body as basic shapes joined together by skin. Lines, volume, the effects of light, the shadows it produces, the foldings of the skin based on the position of the body, the bone structure trying to show itself under the skin, the rhythm of the pose… May I continue?
The body becomes inspiration. No, I do not see the body as a sexual object when I work. There are also some angles and positions I do not like… I’m not that kind of doctor. I like to see the body as a tool to express emotions that are not often articulated. I want the figure to communicate directly to the viewer. No explanation needed if they can speak to each other soul to soul.
Through all that, while I sculpt, I could be watching a documentary, listening to music, chatting, checking my Instagram and my Facebook, considering my life situation, planing other pieces, thinking about my next show or sculpting party, figuring out my agenda, and tons of jokes that I’ll probably never say in public.
If you want to ask me about more specific questions go ahead.
Studying the Figure
Figure Study Collage
My interest for studying the human figure began back in high school. I saw the work of Boris Vallejo and it caused a great impression on me. Even before I decided to pursue a BA in Fine Arts I began drawing the figure. My style and use of the line began developing as my interest for understanding the intricacies of the human body.
Working with live models in college opened a new vision of the nude figure. As year passed I continue the process of understanding the connection between how we see the human body and our spiritual nature. The first clay nude sculpture ever created was made by God in the garden of Eden when He created the first man. Being able to sculpt the human figure is for me like partaking in the experience of creation with God.
Interestingly, it was the fall of men that changed our vision of the body and so it began:
Then the eyes of both of them were opened, and they knew that they were naked; and they sewed fig leaves together and made themselves coverings.
And they heard the sound of the Lord God walking in the garden in the cool of the day, and Adam and his wife hid themselves from the presence of the Lord God among the trees of the garden.
Then the Lord God called to Adam and said to him, “Where are you?”
So he said, “I heard Your voice in the garden, and I was afraid because I was naked; and I hid myself.”
Studying the figure also gives the opportunity to study human behavior. The way we look at the naked body is an indication of a spiritual condition deeper than skin. Each perspective is possibly an indication of a distorted truth, a life changing experience, scars and issues of the past. I don’t pretend to justify my art and how I represent the body in my work. Nevertheless, I hope that your encounter with my work helps you consider your own condition. “Where are you?”