A Tale of Two Sculptures

Last year during one of my shows, I observed a lady coming in to look at the artwork as I was talking to someone else. After looking at all the sculptures, she came back to Abased. She stood there for a while. Then she moved towards Freedom and stood there for a while. She went back to Abased, then back to Freedom. I observed while this continued for several minutes.

abased freedom

Abased & Freedom

Done with my conversation I approached the lady and introduced myself. I mentioned I was observing her going back and forth between the two sculptures. She mentioned how the sculptures were almost talking to her in a way she could not understand or articulate. I told the lady the definition of Abased (belittled or degraded). Instantly the conversation took an interesting turn. She said:

“That explains a lot. This is how my husband makes me feel (pointing at Abased) but I want to feel like that (turning and pointing at Freedom).”

Without saying another word, she turned away and left. I was stunned and honestly wished she stayed around longer. I was curious to find out more about what the sculptures were saying (figuratively speaking). Still, three things were clear during this short interaction. First, art has the power to speak to people. People can find a connection in art that generates a silent conversation with the soul, the logic, and the senses. No words are necessary for this connection.

On the other hand, some people need some help when they try to articulate that connection; when they try to understand what they see, what they feel, and what they perceive. While it is not necessary to explain some people seek for a deeper understanding, a hint, a spark that provides and explanation they can ponder. Again, it would be better for art never to be explained. Nevertheless, some people want to express their connection. That cannot be denied. Otherwise, we might be shutting down their interest and a great opportunity to provoke consciousness.

[Read also: How to Explain your Art & Artists are Communicators]

That takes me to the third point: expressing the connection could be the first step towards healing. Too bad the encounter was cut short. When someone understands their internal situation (and sometimes external) through art, and consciously expresses that revelation, healing is possible. Articulating what no words can explain (which not necessarily is a contradiction) could transform a life, and that is one of the most rewarding achievements of art.

[Read also: Art Changing Lives]

Art Changing Lives

A few years ago I was teaching art to children with disabilities. It was my first official teaching job and one of the most rewarding experiences of my life. Back then, the kids called me “Mr. T” (since it was easier than trying to say: “Tirado”). In one of the older kids’ classes I had a student who ran to the bathroom and stayed there every time I can to teach the class. He was friendly outside the classroom, I spent time with his class many times in different activities, and we even had lunch together many times. He never ran away to hide or anything like that. One day during lunch I had to ask: “Why do you hide in the bathroom every time there is art class?”. His answer changed my perception towards teaching and ignited my curiosity to understand self-efficacy beliefs (although I was not familiar with the term back then). He said: “Mr. T, I can’t take that class. I can do nothing of what you teach. I grew up listening to people telling me that I’m stupid. I don’t want to try and then disappoint you too.”

During my doctorate studies I focused my dissertation towards understanding self-efficacy beliefs as a way to predict how people would engage in new learning experiences (you can read about my research in my bio if interested). Based on Social Cognitive Theory, self-efficacy beliefs are the product of the interaction between environment, behavior, and cognitive (and physical) capabilities forming the way with think about ourselves and our skills to reach a goal. The interaction of these factors of causation (environment, behavior, and cognitive) is known as Triadic Reciprocal Determinism. To make it simple: Our experiences and how we react to and interpret these experiences shape what we think of ourselves now and how we are going to approach new challenges. I know you might be thinking: “What in the world does this mumbo-jumbo has to do with art?”

Art affecting factors of causation

Art affecting factors of causation

Take a look of the benefits of art in all three factors of causation:

Physical factors: motor skills, eye/hand coordination, neurological reconstruction, stress reliever.

Cognitive factors: emotional relief, attitude change, understanding of culture and society, knowledge increase in art history, coping skills.

Environment: Different approach to decoding social and cultural symbolism, decoding environmental responses.

Behavior: better response to challenges, problem solving, better articulation of ideas.

Remember the kid hiding in the bathroom during art class? I had a conversation with him during lunch one day and taught him how to draw the human figure using basic shapes and proportions. He went his way and a few days later came to show me what he had accomplished. It was very impressive! This kid had so much hidden talent that was captive under the belief that he was stupid because that’s what every one said. That year he achieved the certificate for best improved art student and not only that, he also improved in other domains. He began to understand that what people said won’t count if you know you can do it. After graduation, He became a role model and mentor for younger kids.

I am not saying that art is the solution to your life’s problems. IT IS NOT! However, ART opens spiritual and neurological pathways facilitating the release of repressed emotions, internal conflicts, and traumatic experiences. ART also helps as anxiety, depression and stress reliever. ART is a powerful tool to facilitate transformation. We are not talking about clinical therapy (although it is used clinically), art is therapy in itself, and the results and benefits are available to anyone who engages in the creative experience. This is not at all limited to children. It is often the child who grew up hurt who needs it more.

Art changes lives!

 

 

The Way of the Masters?

If you study the life of the masters from the perspective of their contemporaries, you will find a commonality in many: We love the masters now, but people hated them in their time. Yes, some of them were well respected for their skills and contributions to the arts. However, their attitudes and personality were rarely well received. We talk about Leonardo, Michelangelo, Bernini, Caravaggio, and other high caliber geniuses almost as if they were gods. Historical facts reveal that very few embraced them for who they were as people. Of course, what they did was amazing. Their work would probably never be surpassed in our lifetime, but is that worth it?

Artists in our time want to live the life of the masters, the way of the masters. Their arrogance is so detestable than even the screen bleeds rubbish when they write in group discussions. They attack and criticize others and their art, but rarely show their own work. On the other hand, you would find people who measure the success of an artist based on how much they sell. I was mocked in a LinkedIn discussion by someone because I stated that my reward is the appreciation, love, hugs, kisses, and support of those who come to celebrate with me in the show. Sales are extra blessings (no lack in that area).

I watched a clip of the episode of Dr. Who where Van Gogh was brought into a museum in our time. He saw his paintings elegantly hung in a majestic room. People admiring his masterpieces while he was astonished and confused. Then he heard the curator speak marvelous things about this amazing artist. With tears in his eyes and overjoyed, Van Gogh hugged and kissed the curator and left. Beautiful scene nevertheless! But who wants to have a completely miserable life, broke and rejected to be recognized in the future by people he never knew and never knew him? Who wants, like Bernini, to be so recognized and “loved” in death when in life people hated him for his arrogance and dislikable personality? That same attitude that announced the demise of some. There is wisdom in this:

Pride goes before destruction,
            And a haughty spirit before stumbling.

Proverbs 16:8

IvanTiradoI want to be remembered not as a master in my craft after I die. I want people to think of me as someone they can approach, a friend, a dad, a husband, a brother, a son, a nice guy… now, not after I die. I measure my success based on having nothing and being entitled to nothing. I believe in grace. I don’t deserve it. Therefore, everything I receive is extra. I am thankful and even when I have or achieve is a chance to remember grace and being thankful. When you give thanks you guard your heart from arrogance and pride. Count everything as a blessing. As for me, I want to join the apostle in his vision:

Indeed, I count everything as loss because of the surpassing worth of knowing Christ Jesus my Lord. For his sake I have suffered the loss of all things and count them as rubbish, in order that I may gain Christ and be found in him, not having a righteousness of my own that comes from the law, but that which comes through faith in Christ, the righteousness from God that depends on faith – that I may know him and the power of his resurrection, and may share his sufferings, becoming like him in his death, that by any means possible I may attain the resurrection from the dead.

Philippians 3:8-11

Passion for Teaching

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“I can tell you love teaching.” … I’ve heard that a few times. I do. Teaching is for me a way to give back. If I keep what I know to myself it will die with me. If I share what I know it will live longer in the lives of those who learned. Not only so, what I know will expand beyond me instead of being encapsulated within me. When I teach I can feel this fire burning inside of me. I’m so passionate about it. I don’t pretend to know it all. In fact, I don’t know much, but what I know I share. I also pay attention. I like to learn as much as I like to teach.

“Knowledge not only resides in the head or in the collective mind of a social group, but also exists in discourse and communication among individuals and their relationships.”

Learning and teaching is conscious, intentional, willful, and a balance between old and new knowledge. Learning is also a vicarious experience. Sometimes people don’t know they are learning something until it clicks. This kind of interaction rarely happens in isolation but socially. When people are having fun with others is sometimes when they learn the most. I enjoy when people is satisfied with the results of their time spent. Their testimonials are not to fill my heart or head with pride and arrogance. These are a reminder of the great responsibility placed in my hands. I keep myself in check and seek to humble myself. After all, teaching makes you the servant, not the master.

The Business of Art

ivantirado.com

There are so many things about the business side of art I don’t know about. Many artists, galleries, collectors, and dealers emphasize in its importance, while others want to completely dismiss the subject. I am not sure where I stand yet in this subject, so I need your help. What is your side of the story? I’ve been reading about this in books, blogs, and articles and finding all kinds of mix-messages about how to present yourself as an artist and how to present your art for people to get to know it and buy it. “Don’t put your art for sale!” “You need to let people know it is for sale!” “Art is about creativity not money!” “The artist needs to eat too!” “You can’t consider yourself a professional artist if you do this just for fun and leisure!”… It gets very confusing at times and honestly I don’t have a straight answer or position in the subject.

My wife, who is my greatest supporter, is constantly motivating me and helping me to get the word out about my art. I remember when we visited a gallery in Miami Beach a few years ago. I was drooling with all the wonderful art I was looking at from some of my favorite artists. I’ve only seen these pieces online and being in front of them was just a surreal experience. At that point I was still struggling with the idea of showing my art. To make this story short, after hesitating for a moment I showed pictures of my work to the gallery director. His reaction was very interesting. He removed his glasses in disappointment when he knew all of my pieces were in a corner of my living room and said to me with his card at hand: “Whenever you want to make something of your life let me know”.

Shortly after I had my first show, one of my pieces was requested to be in several shows in contactArgentina, and a commissioned piece ended in Paris. So it began! I am still trying to figure this out as other pieces are in other parts of the world and published (although someone in a very demeaning way called the books paid ‘catalogs’ I feel fine when I see the fruit of this). I was afraid that getting involved in the business of art could affect my creativity and suck the fun out of it. It is disappointing at times to see people making tons of money with artwork that makes no sense to me (art is subjective anyway) and I bet they feel fine about it. This is a lot of work, a lot of pressure, and a lot of sacrifice to have someone tell you that your work is not “all that”. I keep pushing, learning, growing, and trying to figure this out.

I try looking back to some artists in history: Dalí, Picasso, Warhol, Bernini, Caravaggio… and many others who enjoyed the fruit of their labor and still loved their art. Then I look at Van Gogh. Isn’t it a sad story? Now people is making millions when he barely made it through the day. I imagine my art paying the bills so I can get in the studio and worry about nothing but to create. I see nothing wrong with that. In fact, I want that! I also want to share what I know with others and open my studio for others to learn too. The business of art seems scary to me but it should not affect my creative spirit or the love for what I do.