The Journey of the Creative Mind

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The Artist at Work

Art looks like a destination. Art looks like a journey. Art looks like both. There are many physical processes involved in the creation of art. The eyes, the hands, and body movements combine to develop what can be called ‘technique’. Technique is connected to the non-physical world of the mind. What are we thinking when we create? That is considering the premise that we need to be actively thinking in order to exist according to René Descartes’ “je pense, donc je suis” (I think, therefore I am).   What are we feeling? Considering that we are also emotional beings and feelings are our connection to a physical world. What are the antecedents that provoke those things? That is accepting that we are influenced by something or someone triggering thoughts, feelings or ideas that are now materializing in our art. Are there ‘energies’ outside the physical brain motivating creativity? That is the concept of the ancient Greeks’ muses and the conception that inspiration comes from outside of us.

Humans are always trying to explain abstract ideas in a ‘concrete’ manner even though language itself is an abstraction. Moreover, I believe writing is not a way of making the idea concrete but a visual way to make it abstract. The idea becomes a sound and the sound received visual symbols we call ‘letters’ which consequently forms an alphabet. We form words with them providing a visualization of the idea. Cognitive psychology attempts to explain this phenomena. In instructional design we pay attention to learning concepts that help us design learning activities. Concepts as making sense, consciousness, perception, reflection, intention, action, and so on. Psychoanalysis, made famous by Sigmund Freud, explores what I am going to call ‘the dark side of the moon’. In psychoanalysis the focus is on what happens in a conscious state but in the unconscious mind. Concepts like subliminal messages, dreams, suppressed memories, instincts, and other factors that connects us to the conscious world with an unconscious root. Think of Salvador Dalí and surrealism.

We can try to explain or map the journey of the creative mind and we will always fall short of explaining its full ‘reality’. We can take a piece of art as a destination and trace back the steps to the beginning of time in an attempt to explain creativity by its result. I will argue that the artwork is not the result or the destination of the creative mind more mostly a souvenir from the trip like that card, t-shirt, or the famous coffee mug we get as a memory. Creativity is much more powerful than its result. There might be more happening in the subconscious mind than what is happening in the conscious mind when art is created. The journey of the creative mind is not to be fully explained or understood but to be enjoyed and experienced. It is what we talk about to entertain ourselves with the possibilities and not to prove a point. We just enjoy the trip, the memories, and the souvenirs.

Cognitive Psychology in Simple Terms

ThessalonikeWhat is Cognitive Psychology? Cognitive psychology in simple terms is the science that studies how the mind works. Pretty simple, right? For example, it tries to understand how we memorize things and how to remember. It also tries to understand how we perceive and make sense of information or environmental cues. It helps understand how we develop language skills, how conceptual thinking is developed, and how we make decisions.  What we see, hear, touch, taste, feel, and imagine is information. In a sense, cognitive psychology deals with the ‘abstract’ functions of the brain and how it processes the information.

How does cognitive psychology helps you? If you understand how you memorize things then you will do the things that make you memorize more effectively. In education we rely upon this science to develop learning strategies that can be used in practice. Here is where research has an important role. Through observation and other forms of data collection and analysis we get to understand phenomena that then allow us to design ways to help people learn more efficiently. This includes delivering the information in ways that can be processed through different channels or in different ways. People learn in many different ways and some have preferred ways of learning. They are more inclined to get information in a way that is easier for them to receive, process, and understand.

There are so many aspects of cognitive psychology for learning that can be discussed and each one will branch out to more and more intricacies of this fascinating computer we call brain. We can talk about memory, problem solving and critical thinking, language development, understanding math, and how the environment affects mental functions. We can talk about the emotional aspects of mental functions like motivation. We can also talk about the physical aspects that affect cognition. The list can go on forever. We are only exploring the surface. It is important to understand that cognitive psychology is still theoretical and the mysteries of the brain may never be completely revealed. That is indeed the beauty of all of it and what keeps us searching and researching.

Renewing our minds

During a sparing session, one of the fighters was a little timid during a fight. His skills were not showing. My martial arts instructor Renshi Herbie Bagwell told him: “It is all in your head. From the neck down you have all you need to win”. How many times do we get paralyzed by fear? How many times we lose the fight without even trying? How many times our perception makes us forget our skills? How many times our mind is keeping us away from what we are capable to achieve?

born-again-sculpture

Renewing our minds is a concept shared by various sources. Practices that involve spiritual and emotional cleansing talk about the concept of focusing the mind into thinking positive in order to achieve results. Social cognitive theory in learning psychology explains the importance of life experiences to form what we think of ourselves based on our interpretations of those experiences. Therefore, it is important to take advantage of every situation to learn and form an acceptable, affirmative perception of ourselves. Faith, for example, speaks about believing that something will be done and seeing it done before they are done. Christianity speaks of the renovation of the as well:

“Do not conform to the pattern of this world, but be transformed by the renewing of your mind. Then you will be able to test and approve what God’s will is—his good, pleasing and perfect will.” (Romans 12:2)     

Born Again by Dr Ivan Tirado

Born Again by Dr. Iván Tirado

We often follow a behavior and thinking pattern based on what our environment and experiences forced on us and we end up thinking that we have no other choice but to continue living that way (remember the kid hiding during art class). Let’s give ourselves a chance towards a new life. We can’t change the past, but we don’t have to follow the same pattern. From the neck down we have all we need to win. We have a choice! We can try again! We can try something new! We can still win the fight! We can be born again!

What goes on in the mind of an artist?

10629856_10150468566204956_1912294495818507283_nThat is one interesting question.  Each day is different. I invite you to visit my mind when I am working with a sculpture. First, from the idea to the final product it is like time travel. I have to see it finished before I begin and it is a constant back and forward in this process. Form! I work with the human body. When I look at the naked figure I see forms. The structure of the body is complex but simple at the same time if you look at the body as basic shapes joined together by skin. Lines, volume, the effects of light, the shadows it produces, the foldings of the skin based on the position of the body, the bone structure trying to show itself under the skin, the rhythm of the pose… May I continue?

The body becomes inspiration. No, I do not see the body as a sexual object when I work. There are also some angles and positions I do not like… I’m not that kind of doctor. I like to see the body as a tool to express emotions that are not often articulated. I want the figure to communicate directly to the viewer. No explanation needed if they can speak to each other soul to soul.

Through all that, while I sculpt, I could be watching a documentary, listening to music, chatting, checking my Instagram and my Facebook, considering my life situation, planing other pieces, thinking about my next show or sculpting party, figuring out my agenda, and tons of jokes that I’ll probably never say in public.

If you want to ask me about more specific questions go ahead.