Do Not Overcomplicate Things

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There is a new tendency in our society to overcomplicate things that are by nature simple. Why take 100 steps and many turns to reach something that is reachable with 3 steps? I am not talking about the common core curriculum in case you are wondering, but since you mentioned it, that’s a good example. It happens in music performances too. Watching the Grammy Awards (no, it is not a competition for grandmothers. That would be the Granny Awards; although most of these artists are really old) I can tell how songs that are not necessarily good were over-adorned to make them somehow ‘better’. You know a true musical artist when they can sing and don’t need too much around them to be good. It happens in visual arts as well. We can tell when a painting or a sculpture, or whatever it could be art nowadays is overcomplicated. We see it in how people organize events. I’ve been in too many corporate meetings that get nowhere because people can’t reach a decision on things that are simple.

I grew up in a household where we didn’t have an issue making or doing good things that were indeed simple. For us it has to look good without too much. We never had a need to gold-plate what was already beautiful in its simple form. One of the most important aspects I learned is being satisfied to provide a great atmosphere for our guests by being there and relating to them. I interact with people in all my shows because that’s the right thing to do. It is more valuable than art on the wall, expensive wine, and gold-plated glasses, while the artist stand scare or overconfident in a corner expecting some kind of recognition instead of acknowledging the people who makes the show successful. People need people interaction. I don’t care how much society wants to complicate an event, at the end what people need is people, a friendly conversation, a smile, someone they can relate to.

In 2010 I had my first opportunity to show my work. I learned a few things about putting together a show and I follow that plan for my shows since (see How To Prepare For Your Show) I have now my first chance to give back and organize a show for a few friends. I am not going to participate directly in this show as an artist. Although my work has a permanent exhibit area in the gallery this is their show. It indeed provides curator experience for me which is great. Nevertheless, I do not overcomplicate things. I have a good idea of the work I’ve seen from the artists, designed the blueprint of the show, created a to-do list for them and for me and all we need to do is to work on each of the pieces and put them together. There is no need to over-adorn what is already good. The reception requires a few more details but I already noted the vision for it. Again, it doesn’t have to be complicated. It is going to be great and I can’t wait to give you all the details so you can join us.

Discarded Artwork

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I am constantly sculpting or painting. I take a break from time to time but I try to sculpt or paint, or at least draw several times per week. I focus on one piece at a time while thinking about two or three more I want to create right after. At times I alternate between a sculpture and a painting working a little here and a little there. By the time I decide what my next show is about and how many pieces to present I probably have three times the amount of pieces ready. Only a certain amount make it to the exhibit. What happens to the other pieces? The discarded artwork might get rejected way before selection. Here are a few things that happen regularly in my little studio.

Let’s start with paintings. That’s the easier one since I don’t show that many paintings. If I like the painting in the first place it goes for sale almost immediately. If I’m not sure if I like it I hang it on a wall where I can look at it from time to time. I take pictures of it and pot them in social media. After sometime I might move it to the website for sale or I just set it aside to paint over it something different. When people talk about the mysteries of Leonardo’s multiple layers paintings I just laugh inside. If the painting falls under the theme or concept of the exhibit then I put it aside as part of the selection. In the event that it is sold before the show I send it to the new home unless the buyer wants me to show it. There are other possible destinations for a painting like donations or gifts. Technically no painting is discarded, just recycled.

Sculptures go to a slightly different process depending on the stage and medium used. Let’s begin with clay sculptures. First let me tell you about the stages of clay sculpting. I prepare the armature which is often just a simple wood stick on a wood board covered with newspaper. I sculpt and if I make it to the end without destroying it and starting over I let it dry. At that point I know I want to give the finishing touches and put it on a base. Again, if I really like it the piece goes for sale, if not it will be at the studio until I shatter it into pieces and throw it way. The piece if selected for an exhibit if it fits the theme, or it goes to group shows.

When sculpting with modeling clay the process is slightly different. I can start over the piece as many times as I want, as it happens many times. Once I’m done with the model I can still make changes or start all over again or simply develop the idea in a different direction. I’ve had ‘finished’ pieces in the studio for a year or more before moving on into creating a mold and casting the piece. Anything can happen during that time. I try to create a mold and cast only those I really like that either be part of the solo exhibit, go for sale, or being bought before casting as it had happened several times before. It is very unlikely that I go through the casting process of a piece I don’t really like. If any of those is discarded it remains at home.

Sculpting or Painting

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Sculpting or painting? There is no secret that between sculpting and painting I prefer sculpting. Yes, I like to paint, but I prefer sculpting much more. There is no secret that very few people sculpt and many people paint. When it comes to painting or sculpting parties, many people don’t know there are sculpting parties and by default they prefer painting until they try sculpting. If you visit a gallery today less than 10% of the pieces are sculptures, unless someone forgot a broom in a corner after cleaning and is calling it ‘a sculpture’. Many will disagree with me but placing an object in a room is ‘a statement’ not a sculpture. Sculptures are not many. In one of the books I’m in from about 350 artists only 5 are sculptors. Sometimes there are expressions that seem to separate sculptors from the rest of the artists like: artists and sculptors, call for artists and sculptors, accepting art and sculptures, and the like. Why is that?

Photo Nov 28, 2 13 40 PMGalleries and exhibit curators will justify this occurrence by pointing out the issue of space. Sculptures take more space and interestingly they often don’t have pedestals for them. Sculptures are also heavier and make it more work to display. Getting into art exhibits and shows is easier than coming in with paintings. They also might mention that collectors and people in general are more inclined to acquire paintings maybe because paintings don’t occupy that much space at home. I heard many times people with children who are afraid to buy sculptures because the kids can bump into them and because they don’t have much space at home. Artists justify the preference for painting over sculpting because of the cost of materials to produce, storage space, working space, mobility, in transit costs and risks, and did I mention space?

The world is 3D. It makes sense to me to translate from 3D to 3D. It also makes sense to me to translate from 2D to 3D. It also makes sense to me to translate images from 3D to 2D and 2D to 2D, but I prefer sculpting. When I am sculpting it feels like a conversation, a journey, an adventure that develops with every step. On the other hand, I’ve never been inclined to do what the majority of people is doing just because it is ‘the norm’, or cheaper, or easier, or more acceptable, or even more commercial. When many of people I knew were singing on stage I was doing comedy. The norm is not attractive to me. I enjoy sculpting. The fulfillment that comes with seeing my work alive is something I don’t feel when I paint.

The End is The Beginning

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On Saturday, January 24, 2015 we are closing what has been my longest and biggest show yet. It opened back in November 2014. The Gallery at Elemar is a very spacious and beautiful place to show and to hold events. We are closing with an art discussion in which I’ll be presenting on the healing and learning benefits of art. You are invited to join us.

Having an exhibit take a lot of work. I don’t have an agent or an event planner to do it for me. I get help from my family, friends, and acquaintances as advisors but I plan most of it. It is time consuming and very stressful at times. Generally my solo shows had been a day or two. Sometimes they begin and end with the reception. It is the first time I have an exhibit for this period of time and after the closing I still hold exhibit space in the gallery for an undetermined period of time. You can still see my work there after the show. That’s one good thing about closing this show. On the other hand, I get to go back to public speaking that day. The exhibit will be up after that because on Tuesday I’m giving a short presentation to the New Haven Rotary Club. After that, I go back to the gallery in March for another presentation about media for artists (more information on that coming soon). The end is the beginning.

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IMG_4538Closing this exhibit is also the beginning of planing the next solo show. I am participating in group shows through the year but I don’t plan those. I just participate. That gives me time to get ready, put together a new collection, and put together all I need to make it happen. It is going to take some time but the most important thing for me is to be able to see it before it happens. It all begins with the art pieces and how they come together. That’s a constant work in progress. It is great to see it all unfold.

The Day Has Come!

You know what I am going to say. After months of planning and preparation, long hours and little sleep, the day is finally here. The show opens tonight! You are more than welcome to join me and witness the results of all this effort at 6:00 pm at The Gallery at Elemar, 2 Gibbs St., New Haven, CT.

the show

In November 2011 I had my first solo show. After that, each year I had a show. This year is different. The place is larger and the expectations are bigger. You can imagine my nerves. Yes, I get nervous and very excited at the same time. Each show is different and has its own expectations. However, this show is in a larger place, with a larger audience, and the expectations are higher than ever. I just want to see who comes.

While it is true we are not in control of our circumstances, it is also true that we are in control of how we react to our circumstances. For me each show is a celebration. I celebrate and enjoy each one no matter the outcome because I always feel the blessing of God, and the support of my family and friends. For me, that is the best case scenario. Everybody else who comes to celebrate is an extra blessing. It would be a great blessing if you could make it too. You won’t be disappointed. I know I won’t be.