The Creation Process
I’m generally inspired first by the pose. The theme, subject, or name of the piece come at the end when the piece is already finished. Most of my pieces get a “name” or “title” when I list it. Like a child you are just waiting last minute for a sign of the perfect name. I start with the pose. The title will come.
The first step is to create a wire armature with the pose to hold the modeling clay. The sculpting begins. I like to apply the modeling clay as if I was covering bone (the wire) with muscles, tendons, and flesh. It is a lot of fun to work on the muscles and the details of the skin, the bones showing a little, the tension and the relaxation of the position. Those little details make a huge impact in a sculpture. I like to add a little craziness around the piece. It is part of my style.
When the sculpture is done, it s not really done. Modeling clay never hardens. The second part of the sculpting process begins: the mold. I use liquid rubber and then keep it together with either plaster or some kind of fiberglass material. I used plaster for this. Once the mold is ready, which is a negative holding all the details of the piece, I discard of the original and reuse the material (I can hear you screaming right now). Casting is next. For this piece I used construction cement. Once dry it is concrete (just technicalities of the terms). I could cast in other materials as well: bonded marble, bonded bronze, etc. It is what is called cold cast. The final process is to prepare for display. it is when color and final texture is applied. And done! In the video on this page you can see glances of this process. You can also watch it in youtube.
When I looked at the final piece I thought about victory. It was like the piece saying: “I made it! I conquered! I reached my goal!” So I gave it a title accordingly: Accession. It can be defined as atteinment or acquisition, as in reaching or achieving a position or rank of power. I believe it fits. Accession is displayed at The Gallery at Elemar, New haven, CT and available. The Gallery at Elemar is the host for the show TORSOS and the reception is Saturday, November 22, 6-9pm. You are invited!
How Long Does it Take
It is very possible that half of the people who see my work ask this question: How long does it take to finish something like this? I take it as an honest question. We humans are trapped inside the clock. Even when traveling to another place we don’t ask how far it is waiting for a response in miles or kilometers. We want to know how far it is in time measures: “How long does it take to get there?” We create deadlines in an attempt to beat time. The workplace establishes a shift based on hours. In many of these places it is of little importance quality and production than the time spent there. We are measuring nanoseconds to switch from one screen to another with a touch of a finger and we panic if takes “too long”. Even sharing a cup of coffee with someone is based on how much time they have for us at that moment. It seems that control is leaving us out of control and ripping away some of our humanity.
Yes, I understand we need to be accountable for what we do and time is a way of measuring productivity, results, and outcomes. I understand that time is important to keep things running “under control”. However, what does it matter how long it took when the result is already in front of them? It is not like they are waiting for me to finish the sculpture. It is there. They don’t have to wait for it. Of course, if they are requesting something specific for them, time is a concern. I don’t want to promise a massive sculpture of a horse and take ten years making it, but art takes time.
The measure of time in art is not about how long it takes to make, but how long it took the artist to master the technique to make it happen. It is about how long it took to study and understand how to turn the idea into life. Time for the artist is about thinking how to pour the self on that piece. I can finish a painting in an hour or two, but it took a long time to get to that point. Even so with sculpting. I can finish a sculpture in a day but it took many years of practice, effort and sacrifice to reach a comfort level of my technique. However, the joy of creating and the bliss of the moment should not be shortened or retrained by time. The feeling is too good to rush.
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