How to Explain Your Art

182297_10150256163239956_22866031_nI honestly enjoy talking about my art, the process, the technique, the historical influences, and the possible story behind each piece. I believe that being able to explain your art is very important and increases credibility as an artist. I guess it applies to any craft. A while ago I posted something about this subject on twitter and it caused a little outrage from people who misunderstood “learning about your craft” with “going to school” and getting a formal education. Let me clarify that getting “formal” education is a good thing, but that’s not what I refer to. Leonardo di ser Piero da Vinci was autodidact. I guess that clarifies the point. It is not about formal education but to seek understanding about what you do and why because it helps you grow as an artist. If you can explain it, people will be more interested in what you do. This is what I suggest to aspiring artists:

Find yourself in time

Newsflash!!! “There is nothing new under the sun“. This is at times an ego check to artists. You are only as unique as the variation and “spirit” you provide to your art. I suggest you look into an art history book and find yourself in time. All we do have an origin and an influence somewhere in the past. Get to know the arts that influence your art, and where your inspiration draws from. Don’t be intimidated by comparisons from artists from the past. That should be a compliment.

Assess your logic

No matter how “random” you think your art is, there must be a logic behind it. This logic can be found in the use of color, the strokes, rhythm, as it can be conceptual and philosophical. You can find this logic in every movement of art including modern art. Find your logic. When you do and explain it to people they will feel more involved with your work than you could imagine.

Assess your emotions 

Maybe the explanation to your logic is found in what you feel when you are working. Art is a sensorial experience after all. Some people like to listen to a specific kind of music to get in a specific kind of mood. Anger, happiness, relaxation, tension, hope, sadness, loss, loneliness… there are many emotions that transpire in our work that if we can’t identify them someone would.

Now you can tell your story and provide the viewers with the “spirit” of the work and engage them even more. The more you immerse yourself in understanding your craft, the better you get at it, the more inspiration you find, the more engagement from your viewers you reach. Learn about other styles too, specially those that came before and after the one that identify yours. The more you know, the more your confidence as an artist will grow too. Educate yourself to explain your art.

Comments (14)

  1. Sachi

    This resonates with me. One thing stands out to me: “You are only as unique as the variation and “spirit” you provide to your art.” I also appreciate your call to artists for them learn about the ones that have come before them, about those who inspire and influence their work.

    This perspective hits me as really on point for the current time. Rather than getting caught up in “making a mark” or trying to be “new” and “individual” and “different,” there is the offer to consider oneself as part of a bigger conversation, as part of a whole. Not homogenous, but connected. We are not alone. We touch each others’ lives. And rather than getting caught up in the merit of being the unique individual on top, we have the opportunity to get deeply immersed and caught up in the joy of connection and exchange with others.

    A truly moving and inspiring piece to me that speaks to a lot of personal questions with which I’ve been wrestling lately. Thank you for sharing the piece.

    • Dr Ivan Tirado

      I really enjoyed this. It became inspiring for me. Your input is greatly appreciate it.

  2. After many years of working a job and maintaining my art career, I have for the last 3 years been able to focus entirely on my painting and sculpting.
    Several years ago the estate of my wife’s Great Aunt , Kathleen Munn,who was a painter in the 20’s, was left to us. All of her inspirational material ,paints, brushes, 2 Picasso prints and her remaining paintings and drawings were a source of inspiration. Although I have always had an awareness of my time in the history of art, this collection really opened my eyes. It has taken several years to understand how she evolved from an agnostic to her final series of work , a massive under taking of drawings in a somewhat cubist manner outlining the ascension of Christ. After the recent passing of two very important people in my my life, I began to feel that if they were now free in spirit, that I could be freer in my spiritual search. This has led to a series of paintings. I recently had a show in Calgary of some of the work and found it very illuminating to do an Artist’s Talk at the gallery.
    All of this is in support of your topic. I thank you for opening it up. Ron

  3. I usually work in a series which springs from an idea or story. I’m also a writer, so stories are important in my life and work. I’m not trying to give the viewer information about what’s going on with me…no. I’m touching upon stories that are the fabric of our human existence and trying to create a “thread.” In my opinion, the viewer’s experience should be uniquely theirs…my painting is just a catalyst to their recollection of their own story. I’m quite clear on which artists have influenced me and the reason I paint, and happy to share with those who are curious.

    Earlier this month I was curating an abstract show and asked for “Statements of Work” from the artists. I do this because I believe it helps those with minimal art experience engage in the work and it’s particularly helpful when viewing abstracts. One participant artist was unable to explain his work to me. The following day he arrived with a very well written statement. I found it curious he couldn’t explain his work initially, but realize each of us create and process in our own unique way. Thanks for opening the topic for exploration and discussion, Ivan!

    • Dr Ivan Tirado

      Really appreciate your comment. I find slightly disturbing when artists can’t or won’t engage in that thinking process. It is enriching for both the artist and the recipient.

    • Michelle, what is going on with you is also universal. Autobiographical art is a part of the “fabric of human existence” and can relate to current social, cultural, and political events at the same time.

  4. Dr. Ivan, thanks for posting the comments about teaching viewers about what you are doing when constructing art. I just viewed a show at the Wexner Art Center in Columbus with 19 large Picasso’s. They had a video with the Wexners who own these incredible works of art explaining how they came to understand Picasso after explanations and explorations on their part. They also had a video showing Picasso actually painting. These are incredible teaching moments, letting the viewer go inside the mind of this great master and see for themselves what his art was all about. I studied with a teacher for 18 years who taught me the “language” the Modern Masters created while talking to each other and learning from each other. When an artist is able to understand that “language” one can continue on with his/her own personal statements made with a brush etc. My website is: http://www.molinskypaintings.com It is indeed a teaching moment for me to explain what I am doing when I am making art. Hope you enjoy the site.

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